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A documentary film is a nonfictional motion picture intended to document some aspect of reality, primarily for the purposes of instruction or maintaining a historical record.〔(oed.com )〕 Such films were originally shot on film stock—the only medium available—but now include video and digital productions that can be either direct-to-video, made into a TV show or released for screening in cinemas. "Documentary" has been described as a "filmmaking practice, a cinematic tradition, and mode of audience reception" that is continually evolving and is without clear boundaries.〔Nichols, Bill. 'Foreword', in Barry Keith Grant and Jeannette Sloniowski (eds.) ''Documenting The Documentary: Close Readings of Documentary Film and Video''. Detroit: Wayne State University Press, 1997〕 == Defining ''documentary'' == In popular myth, the word ''documentary'' was coined by Scottish documentarian John Grierson in his review of Robert Flaherty's film ''Moana'' (1926), published in the ''New York Sun'' on 8 February 1926, written by "The Moviegoer" (a pen name for Grierson).〔Ann Curthoys, Marilyn Lake (Connected worlds: history in transnational perspective, Volume 2004 ) p.151. Australian National University Press〕 Grierson's principles of documentary were that cinema's potential for observing life could be exploited in a new art form; that the "original" actor and "original" scene are better guides than their fiction counterparts to interpreting the modern world; and that materials "thus taken from the raw" can be more real than the acted article. In this regard, Grierson's definition of documentary as "creative treatment of actuality"〔(Re-Thinking Grierson: The Ideology of John Grierson )〕 has gained some acceptance, with this position at variance with Soviet film-maker Dziga Vertov's provocation to present "life as it is" (that is, life filmed surreptitiously) and "life caught unawares" (life provoked or surprised by the camera). The American film critic Pare Lorentz defines a documentary film as "a factual film which is dramatic."〔(Pare Lorentz Film Library – FDR and Film )〕 Others further state that a documentary stands out from the other types of non-fiction films for providing an opinion, and a specific message, along with the facts it presents. Documentary practice is the complex process of creating documentary projects. It refers to what people do with media devices, content, form, and production strategies in order to address the creative, ethical, and conceptual problems and choices that arise as they make documentaries. There are clear connections in terms of practice with magazine and newspaper feature-writing and indeed to non-fiction literature. Many of the generic forms of documentary, for example the biopic or profile; or the observational piece. These generic forms are explored on the University of Winchester Journalism Department 'features web' where 'long form journalism' is classified by genre or content, rather than in terms of production as film, radio or 'print'.〔(University of Winchester Journalism Department – Feature Writing and Documentary Making )〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Documentary film」の詳細全文を読む スポンサード リンク
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